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He had numerous solo exhibitions from New York to Berlin to Bosnia-Herzegovina. In 2013 Francesco Bonami asked for his collaboration. Last year, Miljanovic was invited to the Bosnia-Herzegovina Pavilion of the Venice Biennale; his project entitled The Garden of Delights was deemed one of the most notable pavilions by the international press.
It is in this way that he transformed the painting into an absurd granite tableau of contemporary Balkan and universal human desires.
The utilization of the somewhat unusual technique can be traced back to Miljanovics youth, when he sustained himself as a tombstone engraver, thus day after day inscribing in granite, in a hyperrealist style, his commissioners desires of self-representation addressed to posterity.